Hello and welcome to the Berwyn Public Library’s Audio Visual Department Blog!
Here you can keep up to date with our programs, new releases, and even get reviews on old favorites! Please feel free to leave a comment below on what you’d like to see us post about. We hope you’ll follow us!
John Singleton, Academy Award Nominee and director, passed April 29th. He suffered a stroke on April 17th, and on April 29 he was pulled off of life support. He is survived by his mother, father, and seven children. Singleton will be laid to rest on Monday by his family in a private ceremony, and public memorials will be held later in the month. For now, fans, friends, and family members mourn his death with tributes and condolences.
Singleton is best known for his critically acclaimed feature debut, Boyz in the Hood, starring Cuba Gooding Jr., Morris Chestnut, and Ice Cube. But Singleton cannot be boiled down to a few movies and some nominations. He was more than just a director or screenwriter; he was an icon, a trailblazer for African-Americans in Hollywood and film. He broke barriers with his honest and compassionate look at the lives of African Americans, drawing from his own experiences and the experiences of those he loved. He wrote critically acclaimed dramas, cult classic romances, and thrilling action movies. He touched the lives of many people and he will be deeply missed.
An alumnus of USC School of Cinematic Arts, Singleton’s feature debut, Boyz in the Hood, was originally conceived before he went to college as Summer of ’84. The film was groundbreaking – not only was it a breakthrough for Cuba Gooding Jr. and Morris Chestnut’s careers and helped propel Ice Cube into film, it has been referenced by numerous musicians and filmmakers. The film has been praised as a compassionate look at urban America and earned Singleton a nomination at just 24 years old for the Academy Award for Best Director. Not only was he the youngest person to ever be nominated he was also the first African American to be nominated as well. Boyz in the Hood continues to be praised to this day – the movie was selected for preservation int he National Film Registry by the Library of Congress in 2002 for being “culturally, historically, or aesthetically significant.” Former President Barack Obama praised it in condolences to Singleton and his family.
Condolences to the family of John Singleton. His seminal work, Boyz n the Hood, remains one of the most searing, loving portrayals of the challenges facing inner-city youth. He opened doors for filmmakers of color to tell powerful stories that have been too often ignored.
But Singleton was no one hit wonder. He continued to write, direct, and produce films throughout his career. Just two years after his groundbreaking feature debut, Singleton wrote, produced, and directed Poetic Justice starring Janet Jackson and Tupac Shakur. Though the film received mixed to negative reviews at the time, it turned into a cult classic with audiences and even garnered an Academy Award nomination for Best Original Song. He followed up with directing Higher Learning in 1995, Rosewood in 1997, Shaft in 2000, Baby Boy in 2001, 2 Fast 2 Furious in 2003, Four Brothers in 2005, and Abduction in 2011. His final directorial undertaking was just this year, Poetic Justice: 25th Anniversary Retrospective Featurette. Singleton also produced a number of films such as Hustle and Flow and Illegal Tender, among others.
Singleton even branched out into TV. He directed for 30 for 30,Empire, and Billions. He also directed the episode “The Race Card” in the Emmy Award Winning American Crime Story: The People vs. O.J. Simpson. In 2017, Singleton created, wrote, and directed the crime drama TV Show Snowfall, whose third season is set to premiere this July.
Like Mother and Father’s Day, the not as well known Sibling Day looks to unite and celebrate siblings and the familial bonds that shape our lives. Unlike Mother’s Day and Father’s Day, National Sibling Day is not yet recognized as a federal holiday. The day was founded by Claudia Evart in honor of her younger siblings who had passed away.
In honor of the holiday, pop in a movie about these siblings real and fictional and spend some quality time with your own sibling!
I Love You Both
A quirky comedy about codependency and what it means to start growing up, I Love You Both is a look into a dysfunctional sibling relationship. The movie is directed, written, and starred in by two real-life siblings, the movie delves into how quickly their cozy codependency turns to unhappiness as they both fall for the same easy-going guy. It’s a short but funny movie, with distinctly millennial-type humor that focuses on the way the two siblings feel stuck in their lives. While the movie doesn’t exactly have a happy ending, it is an enjoyable film.
Lilo and Stitch
If what you want is a bit more kid-friendly, this Disney movie is the perfect way to go. The beautifully done cartoon focuses on the lives of two orphaned sisters, Lilo and Nani, as they cope with sudden changes to their lives in the arrival of the alien experiment Stitch. In typical Disney fashion, the movie is equal parts sweet and heartbreaking with a touching happy ending for the sisters and their family.
This is Where I Leave You
A hilarious and ridiculous comedy, This Is Where I Leave You centers around the Altmans, an estranged family brought together by the passing of their beloved father, Mort. In his will, Mort states that he wants the family to sit Shiva, a Jewish practice of mourning for seven days. For an entire week, the family is forced to tolerate each other, and what ensues is a relatable and hilarious story about a group of people that love each other but don’t particularly like each other.
Rachel Getting Married
This award-winning movie focuses on two sisters when the younger is getting married. Starring Anne Hathaway and Rosemarie DeWitt, the movie goes into how addiction affects not just a single person’s life, but also their relationship with those that love them. The two sisters, Kym and Rachel, drifted apart due to Kym’s drug usage. Kym has been in rehab for a while and is allowed to leave for a few days for her sister’s wedding. The movie is fraught with a tension-filled love that frequently exists between siblings, and though the story makes it clear that their journey isn’t over by movie’s end, Kym and Rachel part on happy terms brought together by their love for each other.
If you’ve got a lot of time on your hands, Shameless is the perfect fit. Taking place in Canaryville neighborhood in the South Side of Chicago, this Showtime show centers around six dysfunctional siblings and their egomaniac father, trying to make ends meet. This black comedy deals frequently with poverty and class struggle, dealing with the outlandish situations the Gallaghers get themselves into with a lot of humor, resentment, and love. The first seven seasons can be found at the Berwyn Public Library, with season eight on order.
To see all of these great stories and more, come check out our display for National Sibling Day right next to the Audio Visual Desk!
There has been a lot of drama surrounding the Academy Awards this year. Many people feel the award ceremony is outdated, too long, unfunny, out of touch, and a lot of other colorful words that basically mean “bad.” It seemed like this year the Academy has wanted to combat their ever dropping viewer count but has only managed to stir up more controversy.
First, there was the disastrous attempt at a “Best Popular Film” category which was immediately backtracked. Then the not as well known but still notable scandal surrounding Foreign Films. This involved US Territories petitioning to be allowed to submit under Best Foreign Films instead of having to fight Hollywood made movies for the other awards. This was denied, which caused a minor uproar among US Territory filmmakers, and in particular, Puerto Rican filmmakers. And of course, the issues regarding a host – Kevin Hart signing up, dropping out, and then being rumored to sign back up again. It seems that the Oscars will not have a host this year, a move that is puzzling to viewers, as the last time they didn’t have a host was not particularly well received. They’ve also made the decision to have a hard line at three hours, and are bundling many of the technical awards together to be shown at the very end. Whether these changes will help their viewers remains to be seen.
Still, the endless think pieces and guesses for who will win the biggest awards keeps going on. Last year, we at the Audio Visual Department had our own guesses as to who might win Best Picture. This year, we’re looking at the Best Actor category.
Christian Bale in Vice
Despite some setbacks with Vice and it’s release date being pushed back, Bale picked up the Best Actor in a Musical or Comedy Award for the Golden Globes this past Sunday. This points to a Best Actor nod at the very least but definitely puts him at the front of the race. This combined with the movie being a bit of everything the Academy loves – an actor who puts his whole being into a performance, a searing look at a historical and political figure, and a sweeping historical piece. It could be that this is the movie that finally gets the actor that coveted Best Actor prize, an award he has been nominated for once but has yet to win.
Rami Malek in Bohemian Rhapsody
One of the biggest surprises this award season has been the number of wins that the Queen biopic Bohemian Rhapsody has picked up. The film did great at the box office but was garnered mediocre reviews from critics, leading many to assume it wouldn’t win many awards. The movie has gone on to surprise many for the amount of nominations and wins it has picked up – though many seemed pleased with Malek’s Best Actor win at the Golden Globes, and he is generally agreed to be the best thing about the movie. The question is – can Rami Malek ride this momentum all the way to the Academy Awards or will the problems critics had with the movie be too much for his performance to surmount?
Viggo Mortensen in The Green Book
An initially under-looked movie that quickly turned heads, Viggo Mortensen has been a surprise winner this award season. While the movie itself has relatively mixed reviews – the main criticism being that the movie is too “feel good” for its subject matter – the performances from its stars Viggo Mortensen and Mahershala Ali have been getting rave reviews. With Viggo Mortensen winning the NBR award for Best Actor, he seems a shoo-in for a Best Actor nomination. He did, however, fail to win the Golden Globe win from Christian Bale, but that might not mean he won’t win the Oscar. Both movies and performances have things that the Academy has historically been fond of, with the Green Book being a feel-good historical piece that explores the bonds of friendship and the relationships that develop between people from different walks of life.
John David Washington in Blackkklansman
A newcomer on the big screen and son of actor Denzel Washington, John David Washington has yet to win an award for his role as Detective Ron Stallworth in the award season. Despite that, he has won nominations for the Screen Actors Guild Awards, the Golden Globes, and the Critic’s Choice. Nominations and winners for those awards are generally the best indicators for who will be nominated for the Oscars. He’s going up against a lot of big names in the industry, and it seems unlikely that he will win, but if the Oscars were looking for a surprise upset win, it would most likely be with John David Washington. As it is, they’re likely to give him a nomination as a nod to his critically acclaimed performance.
Bradley Cooper in A Star Is Born
While Cooper has definitely been a fan favorite and front runner for Best Actor, he has a number of obstacles he has to climb before being guaranteed that Best Actor award. Firstly, he is not only the lead actor in the movie but also the director. In the history of the Oscars, there have been very few people that have won an acting award for directing themselves in a movie – Kevin Costner, Clint Eastwood, and Warren Beatty all won Best Director and picked up a nomination for Best Actor, but none of them won it. Secondly, every version of A Star is Born has been historically shut out of Academy Award wins – including the rather infamous snub of Judy Garland in Best Actress, who was supposed to be a sure thing, but lost. And thirdly, and most importantly – the movie hasn’t been doing as well as expected in the acting category during this award season. Despite huge box office numbers and glowing reviews from critics, Bradley Cooper has not won Best Actor at many of the major award festivals, losing the NBR award to Viggo Mortensen, and the Golden Globe to Rami Malek. The movie only won a single Golden Globe from its five nominations – with a win for Best Original Song. While it’s likely he will get nominated, it seems incredibly unlikely that he’ll win.
So – who do you think will win? Will Bradley Cooper overcome the odds and finally get that Best Actor award after four nominations? Will John David Washington win for his feature film debut? Or will one of our previous season award winners snag the win?
Here at the Berwyn Public Library, we have a great collection of audiobooks. On the first floor there are audiobooks for fiction, non-fiction, and biographies. Every month we add new audiobooks to our collection. From new and popular novels like The Outsider by Stephen King to debut novels like White Chrysantemum by Mary Lynn Bracht, we are always expanding our collection.
Audiobooks are perfect if you live a more fast-paced lifestyle. Putting in a CD or downloading the audio onto your iPod or Android is a great way to get some “reading” in without having to put your day on hold. You can listen in the car, while exercising, or while walking. It’s also good to remember that audiobooks can be found at the Berwyn Library and on Hoopla!
In addition to new audiobooks, we also sometimes get audiobooks that are new to our library, though they’ve been out for a few years. These audiobooks don’t get put in the new section, but instead, go straight to the stacks. So if you want to try out a “new to you” audiobook but didn’t find anything in our new section, here are some “new to us” audiobooks for you to enjoy!
Earthly Joys by Phillipa Gregory
Earthly Joys, the first book in the Tradescant series, follows the life of historical figure John Tradescant. Tradescant was a famous gardener and unofficial adviser to British royalty in the 17th century. Phillipa Gregory, the author of the book and regarded by many as the master of historical royalty novels, released the book originally in 2005. It was not until August of this year that the book was released on audio CD. Read by seasoned actor David Rintoul, Earthly Joys finally comes to life in the heard word.
Him Her Him Again the End of Him by Patricia Marx
This humorous novel is the first solo work of Harvard Lampoon and SNL writer Patricia Marx, and is read in audiobook form by Hillary Huber. The story follows a neurotic young woman who becomes obsessed with her narcissistic first love. Despite their breakup, she stays obsessed with him, even as he pays her little mind and moves on with his life. The novel and audiobook came out in 2006 and 2007 and was recently purchased by our library.
Henry the Gaoler by A. W. Exley
The prequel to A. W. Exley’s Ella, The Slayer, this historical romance is a spin on the story of Rapunzel. The story starts with the return of a young WWI soldier, Henry, coming home at the end of WWI. Hoping to make up for abandoning the girl he loves, Hazel, he finds her paranoid parents have taken severe precautions in locking up their daughter as the Spanish Influenza sweeps through the country. Narrated by Stefan Rudnicki, Henry the Gaoler was released in print in 2016, and the audiobook came out approximately a year and a half later.
The Essential Rumi by Rumi
The Essential Rumi is a revised and remastered release of the first edition of poems by renown Sufi poet Rumi. Translated and read by Coleman Barks, this audiobook features dozens of newly translated poems by Rumi as well as his other well-known poems. If you’ve ever been interested in diving into his poetry, this audiobook is the perfect opportunity.
Musashi by Yoshikawa Eiji
Originally published as a serial in a Japanese newspaper in 1935, Musashi is a fictionalized account of the life of one of the most renown Japanese swordsman to ever live. The story was written by Eiji Yoshikawa and cemented his fame as a historical fiction writer. Of his many books, four of them have been translated into English. The release of the audiobook Musashi, read by Brian Nishii, marks the first of his books to be released on audio format.
If your movie theater looked anything like mine than it was split down the middle: half was parents with their kids, and half was 20 something-year-olds. It was difficult to tell if the 6-year-olds or the 26-year-olds were more excited about the movie, or who applauded louder when it ended.
Of course, many of those 26-year-olds were children when the first Incredibles movie came out. I’m sure everyone is wondering whether the wait was worth it. In my opinion, it definitely was.
The animation is very impressive. The amount of detail put into each frame is amazing, and the characters are beautiful and expressive. The story-line is also interesting – it takes up exactly where it left off, with the arrival of the Mole Man. The family spends the movie attempting to figure out how to settle into the new family dynamic now that everyone wants to be a superhero, and the fact that their cover has all but been blown.
Much of the movie deals with politics, without getting too confusing. Because the story attempts to follow exactly how this would play out in a realistic way – with Helen attempting to push superheroes back into the public eye in a more positive way – much of the plot follows the political landscape of the Incredibles world. It’s a plot that should get confusing but it’s explained in a way that is simple for a child to understand, and accompanied by a number of brightly lit and wonderfully animated fight scenes as Helen fights bad guys.
Meanwhile, Bob’s story deals with the kids. With an ever-changing family dynamic and a world struggling to keep up with public opinion and changing technology, Bob struggles a lot with keeping on top of his kids – especially the shape-shifting Jack-Jack who’s powers are amazing but incredibly inconvenient for a hapless father.
It’s a wonderful movie with an emphasis on family learning to work together and celebrate each other’s differences.
The movie was worth the wait – though be warned that there are a number of sequences that involve brightly flashing lights that might be a problem for light sensitive viewers or people with epilepsy!
The Berwyn Public Library is adding a new streaming service to our list!
Starting today, Berwyn residents will have access to the film streaming service Kanopy.
Kanopy has a diverse collection of movies and documentaries, all categorized in easy to find ways. Many of the movies they have are difficult to find on any other streaming site. Kanopy aims to keep this up, collecting all sorts of movies because they believe film can bridge cultural gaps and bring people together.
Once an account is set up, movies can be watched on any device including desktops, phones, Roku, or tablets. They can be watched through the website itself, through iTunes, or even through their app. Once the movies are “checked out” the patron gets three days to watch the film. Each patron gets a total of ten movies to stream per month and the count resets on the first of every month.
The website is pretty easy to navigate. At the top of the page is a browsing section and clicking a genre will take you to that genre’s page. Each of the movie genres has a minimum of four categories: classic, contemporary, world, and award-winning. Most genres also get specific subcategories as well. These are all followed by a list of all the movies in that genre. For example: clicking on comedy movies will bring you to their page. On that page, there are Classic, Contemporary, World, and Award-Winning Comedies. There’s also many subgenres listed such as Horror Comedy, Romantic Comedy, and LGBT Comedy. After the subgenres, the list of comedy movies starts.
But Kanopy doesn’t stop at movies. The streaming service also offers a wide variety of documentaries and non-fiction films. Some of the many categories there include journalism, agriculture, geography, and Indigenous Studies.
So does that sound pretty amazing? If you’d like to look around the website and take advantage of this free service, try signing up. Signing up is easy but requires a Berwyn Library Card. The steps are as follows:
Click the white “sign up” button in the right hand corner
Fill in your first and last name, as well as an email address.
Check your email for a message from Kanopy asking to verify your email. Once you click verify, it will take you to another page.
Link your library card to your account. The library card number is the long barcode number on the back of the card. It should start with the numbers “2295700.” You want to put this whole number into the box.
Mary Wollstonecraft Shelley, the author of the classic gothic horror novel Frankenstein, didn’t just write a book – she invented a genre. The world of science fiction didn’t exist before Mary Shelley got her hands on it. There had been minor forays but it was Mary Shelley who took the concept of threading drama, theme, and theoretical science together to make a novel. To narrow down a handful of movies or books that were inspired by her would be nearly impossible; from Mr. Spock to Ellen Ripley to Han Solo and even to Tony Stark, characters involved in science fiction owe their existence to an 18 year old girl who had a nightmare one summer night.
The unfortunate thing is that not many know about this. Frankenstein was considered amoral and irreligious when it came out, so when the original film adaption came out, it didn’t include much of her original story about a Creator abandoning his Creature and the consequences of bringing life into the world. Despite the fact that there have been quite literally dozens of adaptions in the past decade alone, most of these movies take their inspiration from the original film, and not Mary Shelley’s original novel at all.
The initial inspiration for Frankenstein came from a nightmare Mary Shelley had at a cottage. Mary and a group of writers were staying at a villa together for the summer and the group decided to try their hand at telling ghost stories. Mary, who had already developed a fascination with life and death due to the passing of her mother, the miscarriage of several children, and the suicide of her lover’s wife, spent a while attempting to think of something, suffering from some sort of writer’s block. Finally, she had a nightmare – she saw a horrific human-like creature laid out on a table, and a scientist standing over the Creature. In her nightmare, the scientist shocks the Creature to life and then, horrified by the life he has created, he runs off as the Creature opens it’s horrible, yellow eyes.
And thus, Frankenstein was born.
There are of course more obvious stories that take their inspiration from her. Some of theme even wind up being more faithful to her story and themes than the hundreds of adaptions that bare the name Frankenstein. In this list, you’ll find not just adaptions but also works that more heavily derive themselves from her story.
Avengers: Age of Ultron
There are so many similarities between the creature of Ultron and the creation of the Creature, it’s almost impossible to miss it. Tony Stark, in his bid to create an intelligent suit, winds up creating a robot that is bent on destruction. Two things stand out: firstly, that Tony literally brings Ultron to life with a bolt of lightning – an obvious homage to Mary Shelley. The second is less obvious but still notable: Ultron is an eloquent creature who frequently talks like someone out of the Romantics Era. Much like the Creature, he is an intelligent being with a violent streak.
Tony Stark building Ultron.
Kenneth Brannagh as Victor Frankenstein, building the Creature.
Rise of the Planet of the Apes
The popular action sci-fi series that recently got a boot has a surprising amount in common with Mary Shelley’s Frankenstein. Starting with a medical experiment gone astray, Rise of the Planet of the Apes focuses on the relationship between a Creature and it’s father, in this case the ape Cesar and his caretaker Will. Cesar, like the Creature, is capable of kindness and complicated thought, but because of the form he takes, is looked down on by humankind. Granted, Cesar’s life takes on a much happier theme than the Creature’s does, in no small part because Will refuses to abandon Cesar, and Cesar holds onto that feeling – compared to the Creature, who is promptly abandoned by the horrified Victor Frankenstein.
The Strange Case of Dr. Jekyll and Mr. Hyde
Like her classic novel, the story of Dr. Jekyll and Mr. Hyde combine many of the concepts that were popular with writers during the Romantics Era and threads them with science. Both novels focus on what happens when humans play God, with Shelley focusing a bit more on what makes us human and author Robert Louis Stevenson focusing more on unleashing the id.
The classic Marvel character, the Hulk/Dr. Bruce Banner is essentially a modern day version of Dr. Jekyll and Mr. Hyde, which means it already bares many stylistic similarities. What’s more interesting is that both characters deal with issues surrounding childhood – the Creature is abandoned by Dr. Frankenstein and spends much of the novel hating his father for abandoning him. Bruce Banner’s childhood bares a striking resemblance – Bruce’s father frequently abused him to the point that Bruce started acting out at school as a way to cope with his own feelings of neglect.
The sleeper hit show combines the stories of many gothic horror books including Dracula, Van Helsing, An American Werewolf In London, and Frankenstein. This story is much more faithful to the original book written by Shelley. Frankenstein is a young man instead of a mad old scientist, played by the then 28 year old Harry Treadaway. His Creature, Caliban, is terrifying and eloquent, even quoting literary novels and scripture. Their story starts out the same – young Frankenstein, horrified by what he has created and knowing he can’t control it, abandons Caliban when he first makes him, but Caliban seeks his creator out anyways, with disastrous results.
Despite being one of the most unpopular Van Helsing movies to ever come out, Sommen’s Van Helsing is in many ways more faithful to its adaption of The Creature than the majority of Frankenstein movies. The Creature in this movie is not the grunting, slow moving Creature from many adaptions, but an intelligent man who seeks a purpose – and to be left alone. Van Helsing even outright states in the movie that while evil may have brought Frankenstein’s Monster into the world, the Creature himself is not actually evil.
Sometimes, when you want to grab a new movie, you’re not exactly looking for a new movie. Instead, you want new to you rather than new to the world. But of course, with over a hundred years of cinema, sometimes finding something interesting can be overwhelming – or difficult. So here for Throwback Thursday are some old favorites that might not be on the average person’s radar.
For all the romance lovers out there, Children of a Lesser God is the perfect movie to pop in and enjoy. Directed by Randa Haines and starring Marlee Matlin and William Hurt, it is perhaps not as well known as many other more flashy and dramatic Best Picture nominees. Based on a play by Mark Medoff, the plot follows a deaf custodian named Sarah Norman and her relationship with a hearing teacher, James Leeds, at the school they both work at. Though the two get off to a rocky start, they enter into a relationship, despite James pushing that Sarah should start learning to speak instead of just signing.
William Hurt garnered much critical acclaim for his role in the film, but the movie belongs very clearly to Marlee Matlin. Matlin plays off Hurt well in what was her feature film debut, bringing a guarded fear and passion against Hurt’s playful vulnerability. Matlin’s performance is frequently described as being similar to a silent film actress and the comparison is apt – sice her character Sarah does not speak, Matlin conveys her emotion with soulful eyes and expressive gestures, to the point where the audience does not need Hurt to translate her signing.
Their romance is troubled but full of love and the journey they both take as they navigate what it means for a hearing man to be in a relationship with a deaf woman. The film is long, coming in at just shy of two hours, but it allows the journey between the couple to unfold both as a pair and also as individuals, delving into the struggles James faces as he wishes to protect Sarah and Sarah’s own need to stand as her own person apart from James.
Matlin went on to win Best Actress for her role in the movie. She is the youngest woman to ever win the award, winning it at the age of 21. She is also the only deaf performer to win an Oscar in any category, and one of two disabled people to win any Oscar (the first being Harold Russell in 1946).
I’m gonna be honest – against my better judgement, I kept my expectations way too high for this movie. Between my excitement over a book I had loved being adapted and how absolutely cute all the trailers looked, I definitely bought into the hype. I thought going in that I’d probably be at least a little disappointed – but I didn’t feel disappointed at all.
First of all, this movie is visually beautifully. It’s bright and light and happy looking, and the pop of color and beautiful wide shots help ease the tension as the story goes on.
Secondly, this movie delivers when it comes to both romance and comedy, which is good considering it’s a rom-com. Watching Simon fall in love with every guy he even slightly suspects is gay is equal parts funny, sweet, and relatable to most shy kids who had a crush in high school. The movie does a good job of poking fun at the awkward way he carries himself without feeling like it’s making fun of him.
The movie also handles it’s serious parts just as well. As the plot pushes forwards and Simon’s life starts to spin out of control, the movie does an excellent job of touching on *why* he’s as upset as he is. The jokes take a backseat and something amazing happens – what started off as a cute and refreshing take on teen love stories turns into a well handled and serious – though never preachy – story about what it’s really like to be outed. Small but cutting jokes from family members, out and out bullying at school, the pressure to come out before you’re ready all builds realistically towards Simon’s anxieties about coming out. And of course as Simon so succinctly puts it early on: sometimes you just want to hang onto who you’ve always been seen as.
I’ve only seen Nick Robertson in one thing (in Jurassic World to be exact) so I didn’t really have an opinion on him going in but he was excellent. During a confrontation between him and the guy that outs him, he gives it his all. There was no delicate single tear going on here – he was red faced and shaking, getting up in people’s faces and then collapsing in on himself, and it was fascinating and heartbreaking to watch.
But the movie ends on a happy note, like most good romantic comedies do. The romance builds to a typically cheesy and sweet rom-com ending made triumphant because it’s for such an atypical story. Simon gets to heal, gets the guy – and no spoilers but he gets a really fantastic guy – and gets a life that is different than before, but infinitely better.
Sometimes when patrons come in looking for a new movie they find that the movie they were looking forward to is checked out. Putting something on hold is great – and super useful! – but sometimes you just want to settle in with a good movie that night. But libraries aren’t just full of the newest features; we’ve got old goodies too. So instead of giving up on your movie night, try something that isn’t just new but new-to-you!
A good place to start looking is our Foreign Films section. It’s got a ton of great movies that maybe weren’t as popular in the US as they were in their countries of origin, but are just as good.
Recently in the cinematic spotlight have been South Korean made movies. A slew of popular films that have made an impact even in the US have come from South Korea including the zombie thriller Train to Busan, the action-adventure Okja, and the romantic psychological thriller The Handmaiden. If you want a fantastic and visually stunning movie – and are okay with reading subtitles if you don’t understand Korean – than a South Korean movie might be a great place to start.
One stand out that we own a copy of here at the Berwyn Public Library is The Beauty Inside, a romantic comedy directed by Baik.
Based on an American short film, The Beauty Inside is a visually stunning film that relies on complicated and interesting character motivation to drive its high-concept plot.
The South Korean romantic comedycenters around a man named Woo-jin who has a very unique problem: every day he wakes up in a different body. He has no control over this phenomenon at all. As a result, he becomes very isolated, maintaining regular contact with only his best friend Sang-baek and his mother. Woo-jin eventually develops strong feelings for a woman named Yi-soo, but feels he cannot pursue a relationship with her because of his problem. He attempts it anyways after a while of pining and eventually lets Yi-soo in on his secret, which quickly starts causing problems for the couple’s professional and personal lives.
Unlike many high-concept movies, where the point of the movie is more about the premise than about the characters, The Beauty Inside lets its characters drive the plot. The movie does not spend much time trying to explain why this is happening to Woo-jin, only that it has drastically affected his life. The viewer is let in on his morning routine: studying his new face in his mirror, resizing his shoes, and searching through his extensive closet for clothes that will fit his new body. They see how this affects every facet of his life down to the profession he has chosen.
With Woo-jin constantly changing bodies, and thus actors, the guiding light is actress Han Hyo-joo as Yi-soo, and she absolutely shines. Handling a role that could be relatively boring with great sincerity, she allows us a look into how sweet their relationship can get but also how stressful it can be. While it’s certainly hilarious to watch as Woo-jin, in the body of a 50-year-old, gets mistaken for Yi-soo’s father, we also see her panic as she loses him in a crowd – and in a number of beautifully acted scenes, how her panic starts to take over her life. Oftentimes, director Baik uses the environment around Yi-soo to drive home her feelings, and it’s easy to understand her despair at losing Woo-jin as the camera circles around her, pulling out to show a large crowd in a brightly lit but nondescript street.
That’s not to say that the dozens of Woo-jin’s aren’t great in and of themselves – each actor brings something new to the character, something vulnerable and romantic and believable, while keeping similar mannerisms and core traits that remind the viewer that this is always the same person, whether Woo-jin looks like a 7-year-old boy or a 60-year-old woman.